The nuts and bolts of my writing journey.
Hi you! Me again. This is going to be a long one, so get
comfy. I thought I would run through some of the stages I went through in my
writing, giving you a full nuts and bolts account of the things that we go
through in our first books publishing journey.
Hopefully this might help you a little if you are just starting
your own writing journey. Or you may just be interested in reading more about
my own journey, either way, here it is and thank you for reading it.
So, my previous blog about the UFO sightings might have given
you a little insight on some of my influences for the actual story. But what
about the work that goes into making the book? All the behind the scenes stuff.
How did I start off? How did I publish it? How did I get a book on Amazon, and
on the shelves at Waterstones stores?
I will try and answer some of those questions here.
So, once I had the idea that I wanted to write something,
and I started to get ideas flowing for my story, rather than plan and plot (to
start with anyway), I just started to type. Google Docs was what worked for me,
for these main reasons - I could start the book on my laptop, signed into my Google
account at home, and then if I was at work on my lunchbreak I could log on and
carry on with it.
Also, and very importantly - Google Docs saves your work as
you go, so no risk of losing your progress really. I have heard about some
authors that have used Word, and not clicked save when exiting. Or their laptop
has had a meltdown and they’ve lost everything. Google Docs instantly saves as
you go.
I did find one disadvantage much later on in the process of
using Google Docs over MS Word. I’ll go into that later and how we fixed it.
So anyway, you type out your story, they say to stick to 12
size text, double spaced, and Times new Roman, it’s like the industry standard.
You write your story and then type “The end.”
Now, not to get too excited here, the work is far from
nearly over. At this stage, I would recommend your first step is finding some
“Beta readers.” You can start with people that you know, who love to read, and hope
that they give you some constructive criticism of your story and writing.
I’ll be blunt here, sorry if I offend anyone, but it’s true,
family and friends are lovely to have, you will need them for support, but honestly,
they don’t make the best beta readers. Why? Because they don’t want to hurt
your feelings.
You need someone who will be blunt with you, and honestly –
if your writing or story is shite – to tell you so, nicely if possible.
I wrote out my first draft, and then googled “beta readers,”
and made notes of a few to email. These are people that I didn’t know, they’re
the best Beta readers. They will have websites hopefully explaining that they will
do beta reads of your story. Some charge, but I managed to find a few readers
that offer to read your book for free.
So, I sent off my first draft to three Beta readers, bearing
in mind that I had already been working on my story for just over a year.
Prepare yourself that you may possibly get hurt here. Out of the three, one
agreed to read the whole story. One read the first chapter and kindly let me
know that she would leave it there, and one just refused it point blank.
The one that very kindly read the whole draft, produced for
me a very good report – what worked, what didn’t, what it lacked story wise,
where it was slow, or needed further explanation. Also that I was switching
tenses and viewpoints. When I started, I didn’t even know what this meant. She
explained that I had the makings of a story, but it was not a story yet.
Obviously depending on your internal make-up, you are either
going to cry like a baby, or get straight back to it.
I was shaken at first, I won’t lie, but then I went straight
back into it. Looking back, my writing was shite!
I completely re-wrote it. Not simply editing my first draft,
I took my basic plot across, and started again on a new file. I probably spent
another year re-writing it. This time, with more note making of where I wanted
a chapter to go, I made diagrams of the different timelines and time zones. I
worked on making it more dramatic and with more twists.
Working out my timelines |
To help me to write a proper book this time, I started
reading a lot more. I read books at work, in the bath, in bed, listened to
audio books while commuting, I read, read and read. I’ll admit to not being
much of a reader before this journey started – and I think the best advice I
had was read read read. I think this is very important!
Now, a lot more work went into my writing, a lot of sleepless
night thinking of plot holes, even in the middle of the night - I finally ended
up with my second draft. But even still, in the weeks after thinking I was
finished, I would still keep going back into the book, and I would add things
and take things out. It’s funny the things that come to you while you’re just
driving about, at work, or in bed.
Making notes wherever I can. |
Stephen King would recommend that you now put it in a draw
and let it rest for a while. Which I did, or I tried to do. His book “On
Writing” is very much worth a read.
Once you feel like you are definitely done writing, to the
point where you can’t think of anything else to change, then it’s time to start
deciding on which way we are going with the publishing. Are we self-publishing,
or are we going for the apparent big money traditional publishing?
I can’t speak for every detail on either side of the
publishing journey, but this is what I made of it:
If you self-publish your book, you are paying for, and
designing every step of the book yourself. You are fully producing it and have
full control over it. You are publishing it and marketing it yourself, from
beginning to end. You will then get royalty payments from every copy sold, wherever
you decide to publish it.
If you go for traditional publishing, you would spend time
querying for agents, you will then have some input, and then from what I gather
the publisher will give you a nice big cheque, to pay you for your book – if it
is up to a certain standard of course. They will get it edited and the cover
done for you. They will publish it and market it for you, sending you royalty
cheque’s every month.
If you want to go for traditional publishing, “to query for
a publisher”, you would start to send your manuscript off to agents first. Hopefully
one will agree to work with you. You will get rejections, lots of them. But
then if they sign you up, they will pitch it to the publishers on your behalf,
aiming to get you, and them, the best deal possible.
I wasn’t patient enough for that, I had spent three years
working on it, I was ready to go for it, now! So, I dived right into the
self-publishing route.
I started shopping around for the services that I knew I was
going to need others for – What would be the most expensive parts of the
journey. These are cover design, and editing.
Some people will tell you … “Oh you can publish a book for
free on Amazon.” Yes, you could, but it would be rubbish - In my humble opinion.
Let’s start with the cover. Only because it’s worth starting
to gather ideas for what you want on it as early as you can and get a feel for how
you want it to look. At this point, you will either know exactly what you want,
or you won’t have a Scooby-Doo! I had already made some rough sketches at this
stage, I had an idea of what I wanted on it. I had been scouring vintage
science fiction books like Arthur C. Clarke and Asimov, so that’s the kind of
feels I wanted for mine.
My rough arse cover sketch. |
So then I started to shop around on Google and Fiverr for
cover designers and artists. I saved a few of them to my browser bookmarks
until I had decided.
The thing I would say with cover designers is – you must do
your diligence, use common sense. Check that they have lots of reviews, examples
of their work, and ask yourself if the reviews look genuine? If they’re on
Fiverr, do they have a professional looking website of their own as well? Remember,
cheap does not always mean good and proper.
One horror story that I read about some cheap cover
designers - which scared me - is that there are some people who claim to be a
cover designer. They might make a nice job of it, but some have been known to
use stock images. Images that may have been used on other covers, or maybe even
belong to somebody else. Ask whoever you use, “are these images that you are using
properly licenced?” If they have just took them off the internet, or someone
else’s website, you may well get emails from people trying to sue you for using
their images or covers. So you have to be very careful and check that the cover
designer is experienced and pays for the rights to use the images that they
use.
In the end I didn’t use Fiverr for this, I googled book
cover designers again and came across Flintlock covers, who took my rough arse
sketch, and turned it into a pucka design. It wasn’t cheap (compared to Fiverr),
but I was happy knowing that it would be quality, and all licenced and correct.
I also noticed on Shaun’s website that he would size the
images correctly for Amazon and Ingramspark (more on those later too). So that
I wouldn’t have any trouble when uploading my files to wherever I wanted to
publish my book. You do see a lot of questions from people in Facebook writer’s
groups asking why Amazon keeps rejecting their cover images. It’s likely that
they have designed it themselves, or used an inexperienced designer, and they
are not the correct sizes.
Next, I started the search for editors. Again I started off looking
on Fiverr to get some ideas of what I was looking to pay out. Editing and the
cover will be by far your biggest outlays!
I started saving editors that looked good to me onto my browser
bookmarks again.
The thing with editing, is that you could spend well into
the thousands on this. Again there are people claiming to be editors, but you
might want to contact a couple and ask for an idea on cost, and what their
qualifications are, Fiverr is useful, as it generally tells you the cost based
on your word count. There are some genuinely talented people on there, I’m not
knocking it at all. My editor was actually on Fiverr, I just checked that she
had her own website as well, so I could see who I was dealing with.
Now, something that I had to learn, and you will come to
learn, is that there are different types of edit that you need to have done, here
are a few of the main types:
Developmental editing
– this looks at things like the structure and plot, viewpoints and narrative
styles, things like that.
Line edit – this
looks at word choices, whether the dialogue makes sense, clichés used,
past/present tenses and if you have used them correctly.
Copy editing –
things like spelling, grammar, letter & line spacing, dialogue tagging,
hyphenation, capitalisation.
I know, bit scary and complicated, isn’t it?
Each of these rounds of edit will cost you. I read about,
and then went on the journey myself, of trying to find an editor that would do
an all-in-one package, they are out there. It just takes some searching.
Budget wise, like I say they can range from around £500 up
to a few thousand easily! So - especially for your first try at doing a book -
it is all about finding one that is suitable for your budget. The best you can
find, compared to what you can afford. They mostly give you a price based on
word count. Most writing programs will tell you the word count at the bottom of
the screen.
I found one that I liked the look of – I was attracted by an
affordable price, she had her own proofreading website, and that she says that
she is a self-confessed “SCI-FI Nut” - Winner! Cleo Miele from Texas was the
chosen one for my editing.
We’re still going for a while yet, sorry. Go and do yourself
a cuppa. Much still to do yet.
With my story completed, I sent it off to her to begin her editing.
After a few weeks, I started to get emails asking what something meant. There
is one section in my story, where I had gone into some local Black Country
dialect, which was funny and really threw her. We had some laughs about the way
the British, and the Americans use different words for things.
After a while I had my book back, with all of the edits
shown to me on the screen, with notes down the right-hand side. I could either
apply all of her changes in one go, or go through each one, approving her
changes or keeping it as my version. This was quite another long process. It’s
tough because you think you are at the end of it.
Ok, here is where I will say that Google Docs falls down.
For some reason, I think maybe by now, the size of the file with all the edits
on as well, was just too big for a web browser to cope with.
I could not open my book with all the edits on. Browsers
would just crash. Luckily, very luckily, Cleo had a copy of it that she could
send me on MS Word with the tracked changes on – Day saved! (Thank you, Cleo, 😊)
Once I had made all the changes that I wanted - on Word, I
sent it back to Cleo, and then she goes through it again, (included in her
quoted cost). To make sure that any changes I have made, are still
grammatically correct and make sense. It wasn’t just grammar - I had made a few
changes to the story too, Cleo would give me her input on scenes, which was
invaluable!
Editing complete. Phew!
Now we go back to cover guy Shaun, I needed my book
formatted next. Otherwise known as Typesetting. This will make our edited and
final word file, look like a book.
It will be laid out properly according to your chosen
physical book size, yes, you have to choose a book size too. Each genre of book
will have a recommended physical size, so google what is recommended for your
genre…
Measuring books to get an idea on what size to go for. |
I noticed on Shaun’s website that he offered formatting as
well as covers, again, a bit dearer than someone on Fiverr would charge, but I
liked the thought of keeping it in house with someone who knew what he was
doing. If I had any issues in the future, I knew that Shaun will help me.
So I placed an order with Shaun for the formatting as well
as approving the final cover design.
Now we almost have a book. We have the edited file, typeset
and a shiny cover.
Now to look into actually publishing it.
I knew I wanted to end up with a paperback and ebook
versions of my book, so naturally I started thinking about Amazon. They have
the biggest market share, so it makes sense to start there.
Now, here is an important thing to be considered, and
another purchase you have to make, sorry! ISBN numbers. You will need one ISBN
number for each format of your book. So for example, you will need one for
ebook, one for paperback, one for hardback and one for audiobook if you so wish
to have them. This ISBN number is the long number on the back of every book,
what the world database of books knows you by. It makes each book easily
trackable for the bookshops, libraries, and everyone who deals in books,
searches for this number.
If you are going to be self-publishing, and in all of those
different formats, and likely doing another book, it is better for you to them buy
in bulk. They get cheaper the more you buy, if you can afford to buy in blocks
of 10, or more this is better.
Each country of the world has its own official agency that
sells you the ISBN numbers. So for the USA its Bowkers who will charge you $125
for one, or a block of 10 for £295 – See what I mean?
In the UK its Nielsen BookData. £91 for one ISBN, or £169
for 10.
So whichever country you are in, just google where to buy
ISBN’s in your country.
A couple of extra points I want to make on ISBN’s before I
move on. And something that affected where I brought mine from, and who shows
up as the publisher.
Very importantly, some people will tell you – “You don’t
need to buy an ISBN number, as when you publish on Amazon, if you don’t have
one, one will be supplied to you by Amazon.” Yep, but then you can’t publish
your book anywhere else aside from Amazon, if you have dreams about getting
your book in bookshops – forget about Amazon’s free ISBN number!
That’s why it is important to sort your own out, and then
when you publish to Amazon, you tell it that you have your own ISBN, thank you
very much!
I didn’t buy mine from Nielsen BookData – and I’ll explain
why. I had a thought, and then found a bit of a work around for that thought.
If you are self-publishing, and you buy your own ISBN number
direct from the agency for your country, if a bookshop searches for your ISBN,
it will tell them that you
“Dave” are the Books publisher. I personally think that this could cost you a
little cred when that happens. I could be wrong – that is just my impression –
I imagine the bookshop owner looking at newly published books for that month on
the book release catalogue, wondering what to stock …
“Shall we stock this one Fred?”
“Who is the publisher?”
“Dave!”
So, here is another way. While searching for ISBN numbers
online, I came across Compass-Publishing UK, and Alexa there sells ISBN numbers
from her publishing house. Cheaper than you can buy a single one from Nielsen’s
– she obviously buys in bulk being a small publishing house.
If you buy your ISBN from Alexa, and publish using that
number, when a bookshop now searches for that ISBN number – the publisher will
show up as “Compass-Publishing UK” – It adds a little more cred points doesn’t
it? Do you agree?
You now have a self-published book, but it also now looks
like you have been traditionally published by Compass-Publishing UK! Result!
That’s what I did. You still get to keep all your rights and
your profits too.
Now, to start the ball rolling on hitting that publish
button, to make it public, all you do is open an account on Amazon KDP, and
upload the files, it pretty much walks you through everything step by step. You
upload the cover, you upload the files that your formatter sent you, you set a
price, but don’t click publish just yet. It lets you save as a draft. Do that,
and again I’ll explain why below.
Ok, so you have your files waiting to go on KDP, saved as a
draft, all you have to do is smack that publish now button, and you are live. Don’t
hit it just yet.
So, Amazon KDP will get us our paperback, and an ebook for
kindle. But what bookshop or library is going to order your book from Amazon?
None!
You will likely, like I did want to “Go wide” to get your
book into as many places as possible – not just on Amazon, so you need another
option for publishing that will get you the trade contacts, the bookshops, the
libraries. So this is why we will also create an account on, and upload our
files in the same way as on Amazon, but on Ingramspark.
Ingramspark will get you the chance to get into bookshops,
as for example Bookshop.org/Bookshop.UK/Waterstones and I think, but not 100%
on this - Barnes & Noble, all order through a book wholesale system called
Gardners Books. And Gardners order from Ingramspark – who are a book printer
and distributor.
There is a small charge to upload your files to Ingramspark,
but sometimes they do introductory offers. But you still need to do it if you
want to sell in more places than just Amazon. So even if you have to pay, its
worth it.
Ok, in the interest of transparency, here is a stage where I
really cocked up, Big stylie!
I want to explain what I did, so that you don’t have to cock
up, or it might help you handle this part a little better than I did.
Your sell price, my thinking here was that I would keep my
cover price as low as possible, so that people could afford it, and that I
would hopefully sell more copies. Nobody knows who the hell I am, so who is
going to want to spend more money on your book than say, Stephen King’s book?
I was set in my head that my book was going to be £9.99.
Sounds fair right? So I told Shaun the cover guy, to print on the back by the
barcode that my book is going to be £9.99.
Shaun said, I wouldn’t put the price on the back if I were
you.
Now, I had read that bookshops prefer a price on the back,
so that’s what I wanted dammit!
Anyway, I can’t remember what the actual figures were here,
but when you upload your files to Amazon and Ingram, which I was now doing
after having £9.99 on my cover and approving it.
Amazon and Ingram take into account printing and handling
costs, and have a wonderful calculator on there that now tells you what your
royalty from each book sold will be. I would be making a minus figure from each
book sold! Whoops!
So now I needed to go back to Shaun, and say, sorry Mr
Shaun, you know how I demanded a price on the back, and you told me not to, I
need it changing now please. He had to charge me for the changes to the files.
Bugger and Feck!
Anyway, sorted, £12.99 is my cover price now. For three
years of work, and a fortune spent, I would like to have at least some money
coming back in.
So to continue on with the publishing. I have my files on
Amazon KDP, saved to a draft for kindle and paperback.
The same on Ingramspark, saved to draft waiting to go. I
choose a publish date and set it, and away we go.
Now, this is why you don’t hit publish yet on Amazon, for
some unknown mystifying reason, Amazon will allow you to upload your book
files, and set a release date for your ebook. Say you’re in July, and want it
to release on August 20th, Amazon will let you do that for your ebook. But not
for your paperback! I know right, weird as hell.
Ingamspark will allow you to set a release date in the
future, it’s just the Amazon paperback part that won’t. I don’t get it.
So, once you hit publish on your Amazon paperback, it is
live. So I found that the best way to handle this, is with Amazon and ingram
both having your files saved as a draft ready to go, set Ingramspark to release
on August 20th, your kindle book to release on August 20th,
and hit publish on your Amazon paperback the day before, so on August 19th.
There is another option that I dabbled with for publishing
your ebook wider – Draft2Digital. This website if you upload your book to it,
gets your ebook onto more marketplaces – so you will get on Apple Books, Kobo,
Scribd, Smashwords, Vivlio, Barnes & Noble and a few more sites. It will
literally get your ebook around the world. It doesn’t cost you anything, but
obviously they take a percentage of your royalties. If you do try this, just
remember to untick that you want Draft2Digital to list your book on Kindle, it
will already be on there.
Personally, I did try Draft2Digital for the first few months
after my release, but to be honest I sold barely a few books that’s all, Amazon
is by FAR the market leader. It does make you appreciate how much market share they
have in the book world.
So, after a few months of being live, I decided to try
putting my book on Kindle Unlimited, which I didn’t do to begin with, as this means
pulling your book off Draft2Digital. Amazon must have exclusivity if you go on
KU – only for ebooks though. You can still sell your paperback on as many
places as you wish.
I have had some joy with Kindle Unlimited, people are
reading my book – Thank you, if that is you! As of the end of April 2023 Just
over 4000 pages have been read. And I made it available on KU in January, so that
is in just three months.
Basically, how that works is you get paid per page read,
from the Kindle Unlimited world fund. So you do still get royalties. Although
some of its appeal is also gaining new readers.
Remember - Kindle Unlimited readers, read that much that they
pay for the privilege every month. So in my opinion it is worth being on there.
When you have got to your chosen date, and the books became
live, you will be checking every hour of every day to see how many have sold.
Being self-published, well, kind of… (With my little work
around) You’re not talking big numbers, that’s why every single sale means the
world! You can go long periods where you haven’t sold any at all, so it is
important to dabble in some paid ads, Amazon and Facebook are the ones I have
used, with varying results. But if you don’t try any, you will just disappear
off the page.
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